6 weeks. 62 cities. 81 Performances.

ENERGIZED GUYZ: On Tour! 81 Performances of laughs and learning filled with improv comedy brought to life by The National Theatre for Children has been a new and exciting experience. Life on the road has taught me many things, from continuing to decipher between my "wants" and "needs" to getting to know myself better. I initially took this opportunity for two reasons, the first is that NTC is a good company and I get paid to act, which in today's economy, is not the easiest thing to come by and the show is part of community programming and education. Second, my travels are all inclusive so I get to enjoy exploring the country and traveling.

 Co-Star Shelby and I in the "Water Vampire" sketch, based on the Twilight saga

Being the socialite that I am, meeting new people is one things I enjoy most. There is constant change on the road, and as I am a versatile person, change is something I constantly seek. At the same token, changing hotels sometimes daily in addition to time zones, reminded me of the convertibility in consistency. It really helped me better understand what a happy medium could be which I am working towards achieving in my life. Being away from my loved ones back home was hard at times and harder during others, but as someone special to me once said, "No one said following your dreams isn't going to be scary." And while a sense of confiding in strangers and finding a home away from home might not be the scariest thing out there, it has it's moments. Some moments included great friends from my past, like my high school "improv/actor idol" Jackie Southee and my good friend from the American Theatre Wing's SpringBoardNYC Program, Jodi Watson. I even got to pit stop in Kentucky to visit my friend Samantha Figueira and the first ever KFC as well as in Atlanta to see my cousins for a weekend. Such a blessing!!!

Jackie and I in CHICAGO, which I loved!!

 

My SpringBoardNYC mate Jodi & I after her terrific show in Dollywood!

The original KFC Colonel spokesperson at the first ever KFC!!

This is also the first experience in which I had to do more than about 20 runs of a show (The Who's Tommy, at last May being the last show I performed in with several consecutive performances). Performing in 2-4 shows a day with audiences ranging from a few dozen to a few hundred at each show provides several different experiences. I am glad to say that most of our performances were "hits" although there were times I had to find inspiration to bring the same exciting show to life and not jip a new audience from the experience of live theatre magic. Doing the show for what felt like a million times really put my education and college theatre training into perspective. I understood acting concepts better than before and got to "play" with different ideas, characters, and techniques. My top 3 "play" dates were when my favorite character in the show, "Felonious Monk", the evil foreign scientist, entered the scene, once with a peg leg and an array of accents (a hysterical disaster), once traveled through the scene strictly on a rolly-chair (a comical traffic jam), and once with shoes on the wrong foot and a duck waddle in my walk (a cartoony creation).

 

 Yours truly as "Felonious Monk" the foreign evil scientist

Not only did I try different things with the 6 characters I played in each show, but I also tried different things on the road....This includes music, hotels, and my favorite: FOOD! I have probably eaten at every fast food chain in existence, as well as at the well-enjoyed "hole-in-the-wall" restaurants recommended by locals. This can get pricey and be unhealthy but enjoying complementary breakfast at our hotels and having nights off (which gave me time to work on many things like my website and these blogs!!) also lent time for exercising and the occasional dip in the jacuzzi.

Each show I get to play an audience suggested person and improv galore!

All in all, I was happy to not only entertain over 7,000 young aged theatre patrons, but to share with them a message on energy efficiency. The National Theatre for Children's motto to "Teach. Entertain. Inspire." was all over my map for the past month or so on tour and is defiantly a time in my life that I'll look back on and appreciate. While I am looking forward to good nights rests only in my comfy bed back home, this has been quite the experience, from meeting new people and exploring the country, to sharing the gift of theatre performance and education with many. Thank you to my wonderfully talented tour partner and co-star Shelby Nichols, and the entire team at NTC, including Pat Rowan and Jon Mikkelsen.  

Next Up: "HAIRSPRAY" the B'way musical in the DC area! Details later. ;)

"American Idol" Finalist Music Video

This last August I had the chance of playing a "Distracted Teen Driver" in a music video called It Can Wait, by "American Idol" finalist Travis Tucker. My character is so involved in texting while driving that he takes the life of his girlfriend, behind-the-wheel. The "Safe Teen Driving" campaign and DMV have this video as a highlighted feature in their message to the masses on the importance of driver safety. Check out www.safeteendriving.org for more info or click here for the press release! The video is below!! Thank you to Sam Altman for this experience to share an important message.

A Summer of Song: OperaNJ

As the summer comes to an end I look back at the past few months and am so excited about all that's happened. My experience at Opera New Jersey (ONJ) as Assistant to the Artistic Director was nothing less than exceptional. With my past experiences mainly in musical theatre, working in Opera was a different ball game. Nonetheless storytelling through music and the grand ole theater still proved to be a home away from home. My position allowed me to work in all the administrative fields at ONJ from administration and company management, to production, working alongside industry professionals from all over the country, including of course the neighboring Greater city of New York. Most of my time was spent in "the office" but I have a few sit-ins on Opera acting and vocal coachings with artists such as Ron Land and Stephanie Sundine. Our shows and rehearsals took place at the great award winning Regional Theatre known as the McCarter Theatre:

Our summer season consisted of several summer concert series in addition to two main stage opera's, The Barber of Seville and The Consul--which was directed by Michael Unger, director of Broadway's Original 25th Annual Putnam County Spelling Bee--sidenote--one of my personal favorite musicals:

 

Simple tasks like sorting and filing headshots/resumes and preparing materials for directors/agents and showcases to more extended projects, like creating an Operations Manual for the company and an internal company website, I was happily busy.

Luckily, Artistic Director DJ Haugen became a good friend by the end of the summer and shared several little tips and tricks on running a business.

We even talked to each other on the phone when we're in the same room. (JK!) He's great! (I took a lot of the things I learned this summer and put them into Moonlit Wings Productions--which has successfully continued to grow, and with more opportunities than usual, in just a few months!).

As ONJ is located in Princeton, I had the chance to enjoy the beautiful university and its historic campus, much different than what I experienced in a busy city while at VCU in Richmond, VA. The location also allowed me to travel to NYC (via train!!) a quite a few times a month to audition for shows (Godspell on Broadway!), network, and catch up with friends from SpringBoardNYC and old friends from home who are now in the Big Apple.

While I got homesick every now and then, I was happy to share this experience with my awesome high-school friend, Samantha Figueira, and to make new friends. This summer embraced the old and new, the far and near, and the musical theatre and opera.

 Photo of the amazing Lina Tetriani in "The Consul"

What a summer--blessed!

Tune in tonight to "FBI Criminal Pursuit", featuring Walid!

 

CHANNEL

Presents

Featuring Walid Chaya as a Forensic Tech Investigator

7pm EST - Tuesday, July 12, 2011

Verizon Fios Channel 123, Comcast Cable Channel 111

Look at the show site for re-runs of this episode 

Thank you to Hutson Talent Agency for this fun treat!

Casting A Spell...A play-by-play on Audition Day

This last Thursday, I had the wonderful opportunity to audition for the Broadway Revival of Stephen Schwartz hit musical, Godspell. I luckily made the Promo Video at www.Godspell.com part of the Broadway show's official "Day by Day" blog. I'm 28 seconds into the clip!!

Having directed it last Fall at Shafer Street Playhouse, I was super excited to audition, especially because the Revival of this show is pretty much a very important moment in musical theatre history. Randy Lutterman, director from SpringBoardNYC, suggested for the programs' alumni to try out, and I was happy to wait in line starting at 6am with fellow SpringBoarder Benjamin Williams. Also joining me were TheatreVCU graduates, Kim Exum, Jasmine Coles, and Joshua Grace. Having such a caring support group auditioning beside me was a comfort and joy, especially because this was my first big Broadway audition. Their sense of easy and professionalism was contagious and made me feel at home.

Being use to casting calls with barley a hundred actors, or set appointment times for auditions in the Greater Metropolitan DC arts industry, I had a moment when I realized that nearly 1,000 people were auditioning. During this eight hour wait, I found it hard to keep energized and focused, and with the sun soaking everyone up, it was hot, and we were exhausted and hungry. Also being in the middle of a huge city, there was no place to practice or warm-up. My explorations down side streets to find an alley way to sing in didn't show much promise, but I let myself look like a little bit of a loony as I belted my song and walked down a crowded sidewalk.

Right before I went in, I got up off the sewer vent I was sitting on against the wall and my phone somehow managed to fit and fall through a crack, into the sewer, and down nearly a dozen feet. I let this go for the time being and moved on. I had to let this [important] distraction go--I basically waited half a day and my time has come!! Nerves didn't really get me til I was three people away from my chance to sing. I awkwardly dropped to the floor and did some push-ups, getting into my breath. When my time approached I got in and got out. My 45ish second audition was the quickest ever and included my rendition of "Open the Eyes of My Heart" a contemporary Christian pop-rock song. Being use to singing with a piano, its simple to honor the beats and pauses in a song and listen to your imaginary other, while for this audition it was a bit of a challenge as singing a'capella was requested---oh and they switched the audition request from 16 bars to 8 bars.

Before I knew it I was out and it was all over. Being my first experience of the sort, I was super content with the process and am psyched to come to the city and audition for more productions. It was also super fun to meet so many musical theatre fans in line, network, and make new friends. Making the Godspell.com "Day by Day" Blog was also quite the treat (check out the video above!). The video is also on Godspell on Broadways YouTube channel and is pretty popular!! It's so exciting that I'm part of the promo footage for the premier of the Broadway Revival! Having given up the opportunity to audition for this show back when I was a freshman in high school, I am happy to have made up for it and attend the biggest Godspell audition yet, the Broadway casting call.

Oh, and thanks to a very kind gentlemen who works at the church where the casting call was in NYC, I was able to get my cell phone back after my audition, safe with no damages. Things ended pretty well!

Here's a montage of "Godspell" directed by yours truly at Shafer Street Playhouse last Fall:

Summer at the Shore...

N.Y.C. or L.A.?
The answer is actually JERSEY [for the summer]!

While Jersey is known for it's MTV Jersey Shore fist pumpin' groove and Garden State greenery, Princeton has Jersey's leading Opera Company! Thanks to interviews at SETC, I have joined the Opera New Jersey arts administration team. Working closely with the Artistic Director, I have opportunities in fields including company operations, management, and production. We're producing 2 main stage opera's the summer along with 5 special concerts. Also, Scott Schwartz (son of Steven Schwartz, composer of Wicked, Godspell, Pippin...) is directing a new opera called The Family Room. So little time, so much to do!

Being under an hours train ride away from NYC, I've have been able to continue to explore the NYC theatre scene, from practical things (i.e. the NYC Public Library for the Performing Arts) to business items (i.e. auditions & shoots). This has been perfect, I've been feeling comfortable with the city and growing to love it more with each visit. Thanks to my best friend Jasmine Coles for opening her doors to me!! (Look out for her, New York!!!)

Contact me for tickets to one of our shows or to check out a summer concert!
I leave Princeton at the end of July and am looking forward to directing adventures in DC (or LA??) and a visit to Lebanon to see family and explore the theatre and media entertainment scene in August (and eat lots of Lebanese food, lay at the beach, dance all night...).

Happy SUMMER ADVENTURES to you!

The Journey Begins...

The Top 10 Things I Learned in College as a Theatre Artist

10. Stay true to you
  9. Invest in all you do
  8. Take a risk or two
  7. The safe choice is poo
  6. Work on your material both old and new
  5. The hard times will pass through
  4. Prep for your interview  

  3. Memorize your sides and cue

  2. Say "thank you" to the cast and crew

  1. Always expand your world view

I am psyched that I now have a BFA in Theatre Performance! I really got to enhance and strengthen my craft at TheatreVCU--an incredible program to really be proud of. Highlights along my journey include (but defiantly aren't limited to) Josh Chenard's Chekhov teachings and life lessons, Janet Rogers inspiring Archetypes class, Dr. T's transformative Actors Studio, Paul Valleys joy for language and human behavior studies, Patti D'Becks musical theatre magic, Lorri/Barry's mentorship, the list can go on! Our grad students were also wonderful. I give TheatreVCU:

The journey is the most exciting part of life as an artist, and my journey is just beginning. Hats off to my talented friends and graduates! Thank you to my beautiful parents for getting me here. Cheers to my friends and amazing support group. I am living the American Dream!

Congratulations to the VCU Class of 2011! We did it!

"SPIN" - On The Set

This last weekend I wrapped a short filmed for Silent Code Features called "SPIN", written and directed by Michul Aboudib. I got to play a 15 year old enthusiastic, young eager boy named Miguelito. "SPIN" is about a young journalist in Italy that faces unexpected obstacles once he’s offered his huge break. The cool thing about the scenes shot with my character (the first bit of the film) is that it's all done in one, consecutive shot without cutting. This style is similar to older movie making before cuts, continuations, and edits were really in. This proved to be a fun challenge as I got to deal with lots of movement/choreography and had to really nail the timing in this piece. It will be submitted to various film festivals in Washington, DC, so stay tuned for more coming soon (including some pics/stills to be blogged by yours truly even sooner!!!)!!

Guest Artist for Fairfax County...

"Be yourself, everyone else is taken." -Oscar Wilde

What a busy time it's been racing to the finish line known as gRadUatIon!!
I've been spending most of my time in the DC area as Guest Artist at various high school theaters for Fairfax County Public Schools. This gives me the great opportunity to jump-in for FCPS teachers and work with students across the county. I've really enjoyed doing scene work, improv, and really communicating the importance and simplicity of honesty in acting. When young actors through tools and exercises that I share lose their "stage voice" and actually genuinely speak, they are in shock--they've discovered acting and really living in an imaginary moment. They're connected and understand how specifics, simplicity, and subtly drive a scene and most importantly, tell a story. These revelations are rewarding and whether these young artists are going to be old artists one day, they're getting to know themselves.

"The value of identity of course is that so often with it comes purpose." 

~Richard Grant

It's Almost Over!! Senior Year Update...

HI FRIENDS! 

It's senior year, last semester, I graduate May 21 from VCU School of the Arts with my BFA in Theatre Performance!! This semester has been crazy! I did two showcases with my school via Actors Connection in both LA and NYC, which were both so fun! I LOVE L.A. but I think I've found my nitch in NYC to start. I also did SETC in Atlanta and UPTA in Memphis--meaning lots of good food, people, and theatre.

Now that travelings mostly over, I've gotten some job offers and will be at Opera: New Jersey working as the Assistant to the Artistic Director for the summer in Princeton, NJ.  I'm going to head to NYC either by this August or next summer if I choose to take a year and do the DC Theatre scene (time will tell!).

Other than that, my production company, Moonlit Wings Productions, will be doing 4 childrens theatre musicals this summer in the DC area which I'll be managing via-Skype (new & exciting technology, woah!) as I'll be in NJ. It's the all new "CAMP DRAMA", a new and improved Moonlit Wings Summer Stock Extravaganza! Oo and exciting--hopefully I'm going for two weeks back to Lebanon (my homeland!!!) in August to visit relatives and dive into some foreign culture and art there.  The last time I went was in 2009, the summer BEFORE I did the SpringboardNYC program with the American Theatre Wing, so this trip will be a different experience.

I spend the rest of my moments smiling although I have to sometimes remind myself that I'm doing what I love, and am so lucky for it! And I'm lucky for your support (as you're reading this)!

Stay in touch with me! Visit my site at www.walidchaya.com to

Email it,
    facebook it,
tweet it,
     Just do it!!

Always,

Walid Chaya

SETC - Theatre takes over Atlanta!

Actors, directors, technicians, and artists from all over the East Coast attended the Southeastern Theatre Conference, better known as "SETC" from March 2-6 at the Hilton Hotel in Downtown Atlanta, Georgia. This conference is similar to UPTA, but is even larger, with more theatre companies represented from across the nation as well as many workshops and seminars to attend, from acting and singing to tech and theatre administration. There are also various networking mixers and nightly performances for attendees to enjoy. SETC is also a wonderful opportunity to meet new faces in the theatre, network, and make new friends.

 A Cirque performance the first night of the conference

The whole auditioning process and tech/production job interviews is very similar to how UPTA is run. Post auditions, callbacks happen and actors sign up for their second audition with various companies. For technicians and directors/arts administration personnelles, each company has a set table in which one can interview for a position with the company if they qualify for it. Following an initial interview, the company representative would then schedule a second interview, just like actors do their second audition at their callbacks. As of this last Monday, since the conference is over, companies may begin contacting those their interested to hire. TheatreVCU was well represented by both our performance and production departments in the auditions and job contact services, as well as in the design competitions, winning eight of the competitive tech design categories.

 Cast/Crew of "Overwhelmed" at the SETC 10 Min. Play Festival

L to R -- Rusty Hrabe, Mark Bailey (Writer), Walid Chaya, Meredith Kelly, Sarah Stewart (SM), Diedre Locklear

 There was also the annual 10 Minute Play-writing Festival that happens in 24-hours, which I had the opportunity to be registered for and part of as a "Director". On Wednesday night at 10pm the first night of the conference, about 20 actors audition for the 5 chosen directors. By midnight this is over and the playwrights have til 6am to write a 10-Minute play. The next morning the directors read through and cast the plays, followed by rehearsals during the afternoon. Tech happens that evening with a performance for the entire SETC conference to follow at 10pm with a feedback session from playwright, screenwriter, author, teacher, producer, Gary Garrison from the Dramatists Guild of America in NYC. As a director, it was a new and different process working with the playwright in the room, as well as with actors from different universities, and I learned a lot from the experience.

While at SETC I also got to meet two wonderful people, Cecilia and Ken from the Creative Studios of Atlanta. Having just finished the Senior Showcase in Los Angeles, it was interesting to get information on the film and TV industry in Atlanta. In L.A. many seniors asked casting directors if Atlanta or Austin, Texas would be good "stepping-stone cities" to get some experience in before coming to L.A.. While most of them suggested to dive right into the industry and move straight to L.A., Cecila and Ken shared great insight with me on the work that's happening in Atlanta and nearby cities, such as Miami, Florida and while they realize Atlanta is no-L.A., it still has a lot to offer. Many shows shoot here including Vampire Diaries, Past Life, Joyful Noise, and Army Wives just to name a few, and there's a lot of new and independent work. Cecilia talked about how Atlanta can help an actor perhaps land a role as a Daytime Player and then go off to the West Coast with a few worthy credits and connections. In any case, it was great to hear what professionals in this region had to share about the film and TV industry.

SETC provided a quick-paced, busy time to find a job, land a role, and network along the way. Thank you to April Marshall, the Show Hub, and the rest of the staff and volunteers at SETC for a few days of theatre friends and fun!

Lovin' L.A. - Lights, Camera, Action!

LIGHTS, CAMERA, ACTION! That's exactly the feel of lovely L.A. which the Theatre VCU Seniors, some Alumni, and myself traveled to for LA Actors Connection Feb. 5-12. Hosted in the heart of Universal Studios at the Universal City Hilton, the convention was just a skip away from Downtown L.A. and a hop away from North Hollywood, really putting us in the middle of the film and television industry.

L to R - Ashley Davis, Adriel Hunter, Crystal Johnson prepping for a workshop              Our audition sides for"Dexter"

At Actors Connection, we would meet up to 3 casting directors, managers, and/or directors a day, some for interviews and others for seminars. These guests worked with companies from ABC, NBC, and FOX to HBO/Showtime, Indie films, and national releases. Most casting directors would cast us in material they've provided, giving the actor 10 minutes to prepare and then share with the rest of the class and the casting director. Q&A's as well as feedback on scenes would follow and as each industry guest was different, we got to hear widespread opinions and ideas from professionals in the industry. It was our job to take what works best for us and make our own plan to guide our journey. Dallas Travers, actors advocate and head of the #1 company for marketing in Los Angeles, was a highlight in trip as she shared the truths about branding yourself as an actor and what it means to put yourself in the industry.

We learned many things at Actors Connection, from how to stay in touch with the industry guests, choosing L.A. or N.Y.C., the casting process, to having a memorable interview, being yourself, and practicing our craft through mock auditions. Many of us attending the conference imagined it to be more along the lines of auditions yet it was designed to be more of educational seminars with informative mock auditions and learning. It was still great to have connections and sessions with the industry professionals so that if we do move to L.A., we have opportunities for contacts and the search for real auditions.

 VCU Seniors and Alumni explore the city

When not in seminars or workshops, you could find us at our hot spot, the Hilton Pool & Jacuzzi. The weather was in the high 60's, low 70's and the heated pool and jacuzzi was the perfect place to relax and digest the things we've learned. The hotel being in such a prominent area, their were several opportunities to bump into renown people. One night in the jacuzzi I met the man who has the patent for creating a new camera lens that will allow a camera to shoot in 3-D. One day Jenn & Courtney met Tyrese Gibson, R&B singer and actor, in an elevator. Two nights later the Grammy's had arrived and many stars were in town and checked into the Universal City Hilton. Of course we did leave our hotel and venture into some fun restaurants and make various trips to the grocery store and the 24-hour Subway. We got to spend our free nights and the Wrap Party, featuring theatreVCU alumni living in the city, at the end of the week in Universal Studios City Walk which included great music, food, shopping, entertainers, and more. It was a fun place to be!

L to R -- Jennifer Ferguson, Courtney McCullough, Gentry Roth, Walid Chaya loungin' at the pool

I was lucky to spend a night out of the hotel with VCU alumni Ashphord Jacoway, exploring Highlands in Hollywood and networking opportunities outside of the conference. I found that meeting people is not so hard as L.A. is filled with industry folks and everyone wants to work with friendly, fun people. I also got to get a feel for a "week in the life" as Ashphord showed me where she worked, taught me about different places all over the city where auditions take place, how to use the bus and metro system, and how this all generally fits in her week. I even got to stay overnight at Ashphords place in a warehouse transformed into a very modern looking artsy apartment in the heart of Downtown Los Angeles. It was good to get a feel for being and living in the city outside of what the luxurious Universal City Hilton provided.

A delicious restaurant in Beverly Hills

One day after the conference while visiting Jennifer, a family friend of mine, I had the chance to take a tour of Beverly Hills and the "Hollywood" side of the city. I also got to eat at "The Chaya" a restaurant named after me (haha, I wish!!), often featured on "Keeping up with the Kardashians". I also got to stroll the streets of "The Grove" a famous shopping center in Beverly Hills. Many celebrities shop and dine here as the strip is known as the "ultimate entertainment destination". Mario Lopez hosts NBC's "Extra", interviewing various Hollywood figures, and it shoots live from The Grove. While I was visiting he interviewed Sara Rue from "Shedding for the Wedding" followed by some of the cast from "Mr. Sunshine". I was chosen to ask an interview question and go to be featured on national TV part of the show asking Rue what motivates her. This being my last day in L.A., it was defiantly the fun "cherry-on-top".

  L to R - Sara Rue, Walid Chaya, Mario Lopez on NBC's "Extra"

Redondo Beach Performing Arts Center. This show featured L.A. stage actors and some better known New York talent. It was nice to return to the theatre after spending so much time working with a camera in mind.

Bright rays of sunshine only held back occasionally by some clouds and rain made for a beautiful time in Los Angeles, California filled with tons of information on the film and TV industry and many connections, both professional and personal. Thank you to the wonderful Christopher Dietrich, Executive Director of Actors Connection, and also to our other new friend, fellow actor, and fantastic reader, Darren O'Hare. Truly an inspiration adventure!

Headin' West! UPTA in Memphis--2011!

On February 3 the TheatreVCU Seniors, a few fabulous alumni, and I attended the Unified Professional Theatre Auditions, better known as "UPTA", in good ole Memphis, Tennessee. As an actor/director, I had the opportunity to participate in both the acting auditions, as well as the job services interviews.

Actors from all over the country are each given an audition number and sectioned by groups as auditions span over 3 days. They have 90 seconds to showcase themselves in their best light. Personally, I did 16-bars of a musical song followed by a contrasting contemporary monologue. Some actors did two songs and a short monologue. A lot of actors who auditioned and didn't do a song, found that companies were less likely to call them back, as the majority of companies present were auditioning for their musical-heavy season. Within the next hour after each groups auditions, callbacks are posted all around a room. Excited and antsy actors walk around the room marking down companies that have further interest in them and what hotel room they are in. Now actors must go to each hotel room and sign up for a second audition--and the race around the Marriott begins!

 L to R - Gentry Roth, Sarah Pruden (Alumni), Walid Chaya, Elyse Thaler

One of UPTAs sponsors was REDBULL, and what a better way to get a conference running than by giving away mass-loads of the "energy drink that gives you wings". Chatty elevator conversations and hyped callbacks made the experience zoom by. For our VCU actors, auditions and callbacks were all finished by Friday night, but I stayed for the Job Services interviews. On Saturday, theatre technicians, directors/choreographers, and administrative personnelles had the opportunity to sign up for interview times with companies that have openings for jobs they are qualified for. I personally interviewed with several theatres from positions as a casting intern to the assistant to the company manager. This was a great chance to network and meet the executive faces in the theatre scene.

Memphis is a great time and UPTA was a quick, smooth sail from start to finish. In our time outside of the conference, many of us ventured into the city for great music and even greater BBQ! There was a blue-grass and country music festival playing on Beale Street, a main attraction in Memphis, for around the clock fun. Closer to the hotel we found neighborhood restaurants where we could run to for a quick meal or spent quality time together at the end of the day. Tennessee and UPTA were a fun start to our seniors travels, as straight from UPTA most of us flew directly into Los Angeles, California for our Actors Connection conference. Our journey westbound only continues!

"Beauty & the Beast" --On Stage and Truly magical!!

Key Theatre presents Disney's "Beauty & the Beast" --two more performances! Tonight (Friday, Jan 21) at 7pm and tomorrow at 7pm! YOU DON'T WANT TO MISS THIS!

As the Guest Artist for the production, I had the chance to travel from Richmond to the Metropolitan DC area and choreograph various musical numbers. This is different for me as I am usually around for the entire process when it comes to productions and rehearsals. Returning to see the show after being away, I am was amazed-- "Kids" ages 13-15 are as "raw" and organic as they come. And even after piling on DAZZLING costumes, beautiful and extended scenery and set changes, and a quite lengthy and complicated script--they DID it, and ROCKED.

Congratulations to the cast and crew, and to Director Susan Cobb.

I'll be putting up photos from the show in the next week or so!!
Check the previous blog below for info/tickets to the show.

"This Beautiful City" at RTP is truly Beautiful (Walid as Asst. to Director & Dramaturg)

Click here for the article in the Richmond Times-Dispatch


This Beautiful City, playing for the first time after it's New York City premier at the Vineyard Theatre, has made it's Richmond debut at the Richmond Triangle Players. The show is part of Richmond's Acts of Faith Festival-- the largest faith inspired theatre event in America. This collaboration between the faith community and Richmond’s professional theatre companies will run from January til March with various shows lined up, This Beautiful City being RTP's entry into the festival. I was fortunate to shadow the director, John Knapp, and learn from both the actors and creative team during this theatrical process as the "Assistant to the Director" and "Dramaturg."

This Beautiful City, a provocative new play with music about the expansion of the Evangelical movement in Colorado Springs, was created by the investigative theatre company The Civilians. While conducting interviews with people involved with or affected by the mega-church movement, scandal broke about New Life Church pastor Ted Haggard and shook the entire city. This Beautiful City is a fascinating and timely look at faith and how it affects the American landscape. The Civilians’ work has been called "superb" by the NY Times and "clear evidence of evolution in the world of modern theatre," by Time Out New York.

Working on the production as the "Dramaturg" I was able to gather information on homosexual scandal and it's correlation (or lack of) with the popular and huge Evangelical movement in Colorado Springs. This information, collected via-news articles, YouTube clips, blogs, documentaries, statistics, and other websites, made this experience different from some of my previous theatrical endeavors. Discovering all this information and sharing it with the cast and crew really made the show real to me, as the subject matter is non-fictional. The several characters that the cast of 6 played reflected the information and happenings in that period of time, making the characters three-dimensional and realistic rather than "characterchures". Also, this made the interview-monologue style of the show lively and personal, as the characters addressed the audience. The musical numbers (with music direction by Kim Fox) served as an appropriate through-line and kept the show fresh and engaging instead of stale and monotonous, which I've seen happen when a script isn't exactly "dialogue" based but "monologue" based instead. 

Direction and coaching, by John the director, made the wide range of characters played by the cast members doable, with a great sense of ease. Personally having worked on productions primarily in an Academia setting, joining the professional team as the Assistant to the Director at RTP, I experience a different process than what I was use to in educational theatre settings. Rehearsals were a lot more "laid back" and company members treated the show like their job rather than their hobby or personal interest. This made the process economical, smooth, and for the most part, stress free, providing me a lot to learn from.

This Beautiful City is considered to be a "play with music" instead of a musical. I was interested to learn how the director was going to execute staging the musical numbers as they're not dance-based. The system John used for "choreography/movement" was influenced by musicalized blocking and beautiful stage pictures created with the platforms and levels that are part of the simple set. As a whole, this show is not simple at all, but the magic of it's art and direction gives the show it's needed simplicity and clean cut, captivating feel. Experience the magic yourself--the show runs til Feb. 5!!!

Thank you John Knapp and the company of TBC for a wonderful experience!

Make sure you check the show out:

Dates

Opens Wednesday, January 12 and plays Thursday-Saturday evenings at 8:00 pm, through February 5, 2011.
Sunday matinees on January 23 & 30 at 4:00 pm, with talkbacks immediately following.

Tickets

$25 for Opening Night, Friday and Saturday evenings; 

$20 for Thursday evenings and Sunday matinees.

To reserve your theatre tickets, go to Purchase Tickets
or phone 804-346-8113.

Location

At RTP’s new theater located at 1300 Altamont Avenue
Just northwest of Boulevard and Broad Streets

Running time: 2 hours with one 15 minute intermission.

For more on the show or Richmond Triangle Players, click here.

Disney's "Beauty and the Beast" - COMING SOON with Choreography by Walid!

With Choreography by Walid Chaya

Disney's Classic Hit Musical,  

Beauty and the Beast 

is coming to Key Theatre Jan 20-22!!

7:00 PM : Thursday - January 20 

7:00 PM : Friday - January 21 

7:00 PM : Saturday - January 22

Directed by Susan Cobb

With choreography also by Jillian Brandt

KEY THEATRE 

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Produced by special arrangements with Music Theatre International 

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